On one end of the spectrum of stereotypes Asian American women must deal with, there’s Exotic. Subservient. Quiet. Model Minority. On the other, Manipulative. Overbearing. Dragon Lady (a reference to Empress Dowager Tzu-hsi of China). Missing from these common images are the voices of actual Asian women, who came to bear the brunt of these stereotypes through centuries of colonialism and racism.
Published in 1997, Dragon Ladies: Asian American Feminists Breathe Fire is a collection of essays and interviews from Asian American activists. Many express their frustrations with white feminism (the mainstream feminism most people are familiar with), and some reject the feminist label altogether. Several of the authors also express frustration at people’s reactions to the Asian American feminist movement: within their own cultures, claiming oneself as “feminist” can be seen as unfeminine and offensive. In society in general, some have trouble even wrapping their heads around the concept of “Asian American feminism;” the term just seems so incompatible with stereotypes of Asian women. However, as all of the authors prove, feminist activism has been around a long time in the Asian community, and the Asian American feminist movement continues to grow.
The book is split into four parts: Strategies and Visions; An Agenda for Change; Global Perspectives; and Awakening to Power. Regardless of the theme of each section, there is definite overlap in the essays. The Asian American feminism that all of these activists speak of has a global aspect; yes, these women are based in the U.S., but because so much of their work focuses on issues related to immigration and labor rights, an awareness of different cultures and issues is necessary.
Set in war-torn Chechnya, Anthony Marra’s A Constellation of Vital Phenomena begins with terror. Russian soldiers burst into a house and abduct a man in the middle of the night, burning down his house and taking him somewhere no one ever returns from. His neighbor and longtime friend, Akhmed, watches helplessly until they leave, then races over to save what the soldiers left without: hiding in the snowy forest behind the house is his friend’s eight-year-old daughter, Havaa. Knowing that the soldiers will surely come back for her, Akhmed takes it upon himself to keep the girl safe.
To say that Margaret Fuller was a woman ahead of her time would be an understatement. A born intellectual, she was educated in accordance with her father’s exacting standards; in a time when Harvard didn’t admit women, her father saw to it that she received the equivalent of a Harvard education anyway. Fuller grew up to be a quick-witted and worldly woman desperate to leave her mark. She was a talented conversationalist and considered herself an equal to — and in some cases, even smarter than — the well-educated men she encountered in her circles, encouraged women to speak their minds, was friends with Ralph Waldo Emerson and Nathaniel Hawthorne, edited some of Henry David Thoreau’s early works, and wrote a book about women’s rights that far exceeded the reach of Mary Wollstonecraft’s A Vindication on the Rights of Women.
What does it mean to be a father? A mother? As a transgender woman who was a father for ten years and has been a mother for eight years and counting, Jennifer Finney Boylan is in a unique position to examine these roles from both angles, as well as a “third gender,” a reference to the in-between period during her transition.
I don’t think I ever fully appreciated how wacky Jonathan Franzen can be until I read Strong Motion. We see a lot of it in The Corrections and a little of it in Freedom, but by then he had become Jonathan Franzen, 
I first encountered John Baxter’s writing a few years ago when I came across
I Want to Show You More
The Guy’s Guide to Feminism
Tristan Hart is a wealthy and fiercely intelligent twenty-year-old who has been chosen to study medicine in London. Having been left to his own devices while growing up in the country, Tristan can’t wait to experience London and finally be challenged by one of the best minds in medicine. He won’t be completely left alone, though. Tristan has already experienced at least one violent episode that left his family fearing for his sanity. In London, he’ll be closely watched, lest he experience another “nervous” outburst. But Tristan harbors dark secrets about his personality that go much further than his mental stability. He’s obsessed with pain, especially inducing it. Studying medicine allows him to channel his interests productively, allowing him to cause pain (though surgery, etc.) in order to fix medical conditions. The problem is that as pressure on him increases, he has a harder time telling fantasy from reality, especially when the woman he loves is involved.