Category: audiobooks

Landline

Book cover: Landline by Rainbow RowellUp until now, I was one of the few bookish people on earth who had never read anything by Rainbow Rowell. Eleanor & Park and Fangirl have been on my to-read lists for what feels like an eternity. Then during Armchair BEA, I was fortunate enough to win the audiobook version of Rowell’s newest novel, Landline, narrated by Rebecca Lowman. Sorry Eleanor & Park and Fangirl…you’ve been bumped yet again!

Unlike those other two novels, Landline skews towards more adult territory. The narrator is Georgie McCool (that is her real name), a woman on the brink of professional success. She and her best friend Seth have finally sold their idea for a television show, but the network wants the pilot and first few scripts right after Christmas. This means that she won’t be able travel to Omaha as planned with her husband and two young daughters to visit her mother-in-law. For her husband, Neal, it’s the last straw. Their marriage has been on shakier ground than Georgie realized, and Neal takes the girls to his mother’s house for the holidays without Georgie.

It’s a terrible wake-up call to Georgie. Without her family around, she can’t seem to function. She finds herself going more and more to her mother’s house, sleeping in her old bedroom and dragging herself to work. While she’s there, constantly trying to get a hold of Neal, she discovers a secret about her old landline phone: it magically allows her to call back in time and talk to the Neal she dated in college.

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The Handmaid’s Tale

Book cover: The Handmaid's Tale by Margaret AtwoodEarlier this year, I finally caved and signed up for Audible. I’d been eyeing the Claire Dane’s narration of The Handmaid’s Tale since before it was even available for purchase, and I was putting off reading anything by Margaret Atwood until I finally read what’s probably her most famous title. Well. It took me long enough, but I finally got my my introduction to Atwood/Claire Dane’s narration.

The book is set in the dystopian Republic of Gilead — America in the near future — where all of the former government officials have been killed off and a new totalitarian government has taken over. Women, once free to work and do as they pleased, are now living in a twisted theocracy. They all have roles in society, and the handmaid’s role, one of “honor” in this new world, is to breed. Offred — literally, “of Fred,” Fred being the commander she’s been assigned to for now — has lost her mother, husband, and child in the regime change. Her carefree friend from college tried to rebel against the new world order, and Offred has a sickening idea of what became of her and others who can’t or won’t follow orders.

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Quickies: Claire of the Sea Light & Asunder

Book cover: Claire of the Sea Light by Edwidge DanticatClaire of the Sea Light by Edwidge Danticat

Publisher/Year: Knopf, 2013
Format: Audiobook
Narrator: Robin Miles
Length: 7 hrs, 3 minutes
Source: Library

What it is: Claire Limyé Lanmé (Claire of the Sea Light) Faustin is a little girl growing up in the fictional fishing village of Ville Rose, Haiti. Her mother died in childbirth, and on Claire’s seventh birthday, her father, Nozias, decides to give her to a local shopkeeper so that she can have a better life. The book all takes place on this one day that the shopkeeper comes for her, though it dips into the past as it highlights the lives of several of the villagers.

Why I listened to it: I just wanted to (Danticat has long been on my to-read list), and the cover called out to me. It’s pretty.

What I thought: This is not your traditional novel; the book is more like a series of related vignettes that have been strung together. The book begins and ends with Claire, but the chapters in between are told from the perspective of people only tangentially linked to Claire’s life. It was a little confusing at first, especially since I was listening on audiobook. I sometimes wasn’t sure if the book had skipped a few chapters; that’s how different the plot could be from one moment to the next. At first, I went, “Hey, what happened to Claire?” Danticat gets you emotionally attached to her, only to set her aside for most of the book in order to focus on a handful of other characters’ lives. But it works. In the end, you only have glimpses of lot of different characters, but you feel for all of them. It’s a slim novel that leaves you wanting more, and yet it’s perfect the way it is.


Book cover: Asunder by Chloe AridjisAsunder by Chloe Aridjis

Publisher/Year: Mariner Books, 2013
Format: Paperback
Pages: 208
Source: Publisher

What it is: Marie works as a guard at the National Gallery in London. She enjoys the silent atmosphere and the responsibility of watching over the artwork. Doing so keeps up part of her great-grandfather’s legacy: he was the guard on duty when a suffragette sliced apart a famous painting at the beginning of World War I; he fell and wasn’t able to stop her. But after nine years of working at the National Gallery, Marie is also stuck in a rut.

Why I read it: I enjoyed Aridjis’s debut novel, Book of Clouds.

What I thought: Like her first book, Asunder is oftentimes more atmosphere than plot. Large chunks go by where not much happens other than Marie’s meandering observations of the world. She does artwork with eggshells (symbolism). She observes people walking by (symbolism), especially at the museum. A class comes in, and the professor process to teach her students about craquelure, the natural and unavoidable cracking of paint on a canvas as time goes by (this was actually one of my favorite passages in the book). Anyway, cracks on a canvas. More symbolism. Obviously, something is happening with Marie. But, in keeping with the subdued and introspective nature of Aridjis’s writing, there are no mind-blowing, thrilling plot twists. If you need action in your books, this definitely isn’t the book for you. Personally, I find Aridjis’s works to be vaguely weird, philosophical, and slow. I liked it.

Orange is the New Black: My Year in a Women’s Prison

Book cover: Orange is the New Black by Piper KermanOrange is the New Black first caught my eye a few years ago when it first came out. I kept going back and forth on it. It looked intriguing, but I was also wary of the whole prison-as-told-through-the-eyes-of-a-privileged-white-lady thing. And ultimately, that’s why I put the book on the back burner for so long.

Fast-forward a few years, and we all know that turned out. OITNB was helmed by Jenji Kohan, picked up by Netflix, and shot into fawning fandom. I, like many others, ended up marathoning Season 1 in like two days. And all the while? I was going, “ARGH, WHY DIDN’T I READ THE DAMN BOOK BACK IN THE DAY?!!” (At which point it was too late because the waiting list at all of the libraries was insane.)

Anyway. I finally got a hold of the audiobook through the library, and predictably, I really enjoyed it. The book is about Piper Kerman, a responsible woman with a job and a fiance…and an almost-ten-year-old felony drug case hanging over her head and threatening to send her to prison for an undetermined amount of time. Years ago, when Kerman was a carefree college grad, she started a relationship with a woman also happened to organize drug smugglers. Kerman was lured by the seeming glamour of it all, traveling around the world with her well-to-do girlfriend, but then it became a little too real: she was pressured into smuggling drug money. She didn’t get caught, but it freaked her out and she left that part of her life behind her. Or so she thought. Almost ten years later, Kerman was named in an investigation to bring down said drug smuggling ring. It’s how she found herself eventually doing time in a federal women’s prison.

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Quickies: The Orphan Master’s Son & When Women Were Birds

Book cover: The Orphan Master's Son by Adam JohnsonThe Orphan Master’s Son by Adam Johnson

Publisher/Year: Random House Audio, 2012
Format: Audiobook
Narrator: Tim Kang with Josiah D. Lee & James Kyson Lee
Length: 19 hrs, 22 minutes
Source: Library

What it is: Growing up in a North Korean work camp for orphans, Jun Do manages to rise from the humblest ranks in life to one of the highest, eventually even encountering the terrifying the Dear Leader himself, Kim Jong Il. How he gets there is almost farcical, but the one thing keeping him grounded is his undying love for a beautiful actress named Sun Moon, whose career the Dear Leader is bent on destroying.

Why I listened to it: Since it won the 2013 Pulitzer, it was part of my Pulitzer Project for this year.

What I thought: This book is the literary equivalent of “Go big or go home.” And damn. Johnson went for it. The book generated a lot of buzz when it was released, but for some reason, I just never had the desire to read it. I picked up the audiobook shortly after it won the Pulitzer, not really knowing what to expect. I got lost a couple of times because it’s a lot to wrap one’s head around via audiobook, but more than anything, I was transfixed by Jun Do’s nightmarish conundrums. The Orphan Master’s Son is a clever and ambitious project that basically just blows everything else out of the water; I’ve never read anything else quite like it. So much of the book centers on identity, right down to the protagonist’s name — Jun Do…John Doe? — and though the book is almost dystopian in nature, it clings to some of the most basic tenets of human nature, particularly love.


Book cover: When Women Were Birds by Terry Tempest WilliamsWhen Women Were Birds: Fifty-Four Variations on Voice by Terry Tempest Williams

Publisher/Year: Sarah Crichton Books, 2012
Format: Paperback
Pages: 224
Source: Library

What it is: Before Terry Tempest Williams’s died, she told her daughter, “I am leaving you all my journals, but you must promise me you won’t look at them until after I’m gone.” That request was honored, and after her mother died, a grief-stricken Tempest Williams went to her mother’s journals to find some solace. What she found instead were three shelves full of blank journals. As time passed, she felt at turns angry, devastated, betrayed, and completely mystified as to what kind of message her mother had wanted to send her. The book is comprised of fifty-four variations — meditations of sorts — in which Tempest Williams imagines the message(s) her mother was trying to convey.

Why I read it: It sounded intriguing.

What I thought: Some parts were hit-or-miss for me. It took me a while to get into the book; there’s no denying the poetic beauty of the author’s writing — and at times, the chapters consist of straight-up poetry…but I’ll be the first to admit I’m not a terribly poetry-minded person. That said, there were parts of the book that I wanted to copy down at length to savor later (and, in a couple of instances, I did just that).