Claire of the Sea Light by Edwidge Danticat
Publisher/Year: Knopf, 2013
Narrator: Robin Miles
Length: 7 hrs, 3 minutes
What it is: Claire Limyé Lanmé (Claire of the Sea Light) Faustin is a little girl growing up in the fictional fishing village of Ville Rose, Haiti. Her mother died in childbirth, and on Claire’s seventh birthday, her father, Nozias, decides to give her to a local shopkeeper so that she can have a better life. The book all takes place on this one day that the shopkeeper comes for her, though it dips into the past as it highlights the lives of several of the villagers.
Why I listened to it: I just wanted to (Danticat has long been on my to-read list), and the cover called out to me. It’s pretty.
What I thought: This is not your traditional novel; the book is more like a series of related vignettes that have been strung together. The book begins and ends with Claire, but the chapters in between are told from the perspective of people only tangentially linked to Claire’s life. It was a little confusing at first, especially since I was listening on audiobook. I sometimes wasn’t sure if the book had skipped a few chapters; that’s how different the plot could be from one moment to the next. At first, I went, “Hey, what happened to Claire?” Danticat gets you emotionally attached to her, only to set her aside for most of the book in order to focus on a handful of other characters’ lives. But it works. In the end, you only have glimpses of lot of different characters, but you feel for all of them. It’s a slim novel that leaves you wanting more, and yet it’s perfect the way it is.
Asunder by Chloe Aridjis
Publisher/Year: Mariner Books, 2013
What it is: Marie works as a guard at the National Gallery in London. She enjoys the silent atmosphere and the responsibility of watching over the artwork. Doing so keeps up part of her great-grandfather’s legacy: he was the guard on duty when a suffragette sliced apart a famous painting at the beginning of World War I; he fell and wasn’t able to stop her. But after nine years of working at the National Gallery, Marie is also stuck in a rut.
Why I read it: I enjoyed Aridjis’s debut novel, Book of Clouds.
What I thought: Like her first book, Asunder is oftentimes more atmosphere than plot. Large chunks go by where not much happens other than Marie’s meandering observations of the world. She does artwork with eggshells (symbolism). She observes people walking by (symbolism), especially at the museum. A class comes in, and the professor process to teach her students about craquelure, the natural and unavoidable cracking of paint on a canvas as time goes by (this was actually one of my favorite passages in the book). Anyway, cracks on a canvas. More symbolism. Obviously, something is happening with Marie. But, in keeping with the subdued and introspective nature of Aridjis’s writing, there are no mind-blowing, thrilling plot twists. If you need action in your books, this definitely isn’t the book for you. Personally, I find Aridjis’s works to be vaguely weird, philosophical, and slow. I liked it.