On the Come Up by Angie Thomas
Publisher/Year: HarperAudio, 2019
Narrator: Bahni Turpin
Length: 11 hours, 43 minutes
What it is: A young adult novel about a 16-year-old girl named Bri who wants to become the next great rapper. Her father was a rapper who died before his time, but she doesn’t want to be a mini version of him, the way everyone thinks she’ll be; Bri is her own person with her own style. She’s feeling the pressure to succeed: her mother has lost her job and her neighborhood is ruled by gangs. If she can make it big, she can help her family.
Why I read it: Angie Thomas is a great writer.
What I thought: I read Thomas’s debut, The Hate U Give, and while I wasn’t as blown away by it as so many others were, I could appreciate the book; it just felt like Thomas was throwing too much in at once. I didn’t feel like that about On the Come Up; in fact, I liked it more than The Hate U Give. Here, all of the plot points — even the over-the-top ones — felt appropriate; Bri is trying to make it big as a rapper, after all. Thomas beautifully balances bigger social and political issues with the important, personal questions that teens face as they come of age.
All Maggie Louise Higgins knew growing up was cleaning and childcare. Her mother, Anne, already frail from recurring flares of tuberculosis, was always pregnant; out of 18 pregnancies, 11 were live births, though not all of her children made it to adulthood. The house was always filthy, diapers always needed washing, children always needed feeding. The family fretted constantly whether Anne would survive childbirth.
Maggie, whom the world would eventually come to know as Margaret Sanger, always wanted more than a life of drudgery and childbirth. There were few options for girls as the nineteenth century drew to a close, especially poor ones. The older Sanger girls each had dreams of an education, only to have those dreams dashed as the family’s economic realities weighed down on them. The family then lay their hopes on Maggie, outspoken and intelligent, and pooled their meager resources to try to send her to school. At the very least, maybe she could be a teacher one day.
But Maggie didn’t want to be a teacher. She didn’t exactly know what she wanted, but she knew that she didn’t want to be stuck in the narrow confines of what was allowed of women of the era.
In The Fangirl’s Guide to the Galaxy, Sam Maggs offers burgeoning fangirls lots of practical advice on locating “their people,” navigating cons, participating in geek fandoms, and finding their feminist voice. In between chapters are interviews with successful women whose fangirl backgrounds have now turned into geek-oriented careers. It’s a book that skews towards the younger crowd: though Maggs and her interviewees are clear that a fangirl can be any age, a lot of the book is intro-level basic and is probably best suited for tweens and the younger end of the young adult spectrum.
The good thing about this book is that one can skip around to suit their needs. The beginning of the book talks about different fandoms and the labels for their geeky devotees; there are the big ones that people are already probably familiar with — Star Trek, Dr. Who, Lord of the Rings, Harry Potter — but the list of fandoms goes on and on (yet is by no means exhaustive). Most people could probably read through it and find something that relates to them. (Apparently, I’ve been a devout member of The Unsullied — Game of Thrones — all this time without even realizing it. Don’t even get me started on social media during/after the Red Wedding.)
There’s been a lot of excitement leading up to the release of Nova Ren Suma’s latest young adult book, The Walls Around Us. It’s been out for almost a full week now, and I’ve been seeing more and more blurbs claiming that the book is this year’s “Orange is the New Black Swan.”
Well…yes and no.
The book is about three teenage girls and is told from two of those girls’ perspectives (one of whom is now speaking from beyond the grave): Amber, who is imprisoned at Amber Hills juvenile detention center for murdering her stepfather; Violet, a well-off eighteen-year-old ballerina about to start her bright future at Julliard; and Orianna — Ori — Violet’s former best friend and and fellow ballerina, a girl from the wrong side of town whose mother left her when she was seven and who only really has ballet going for her. Ori was sent to Aurora Hills three years ago for the murder of two of their ballet classmates.
Warning: This post is spoilery.
Readers of Malinda Lo’s revamped Cinderella story, Ash, will initially find themselves in familiar territory: Ash’s father unexpectedly dies and leaves her in the hands of her cruel new stepmother. Since Ash is expected to pay off her father’s numerous debts, she becomes a servant in her stepmother’s household and is expected to tend to her two stepsisters’ every need. Gone are all the comforts of home; all she has left of the past is a book of fairy tales that her mother used to read to her. Ever since she was a child, she has wanted the fairies to bring her mother back to life; after her father’s death, she wants nothing more than for the fairies to take her away into their world. When a brooding fairy, Sidhean, appears, it looks like she just might get that wish.
Here is where the story breaks away from tradition and introduces a new twist. There’s still a big ball in which the prince’s heart is stolen by the gloriously dressed stranger no one’s ever heard of. But the prince falling in love with Ash at first sight is all a moot point, because sparks are flying between Ash and Kaisa, the King’s lead huntress. Meanwhile, Sidhean is in agony because he’s been waiting for Ash for years.