Publisher/Year: Blackstone Audio, 2016
Narrator: Kimberly Williams-Paisley
Length: 5 hours, 26 minutes
Source: Personal copy
What it is: A memoir about Kimberly Williams-Paisley’s complicated relationship with her mother, Linda, who was diagnosed with an early-onset rare form of dementia called Primary Progressive Aphasia in 2014.
Why I read it: I know Williams-Paisley as an actress, but I also follow her on Instagram just to see what she’s reading — it turns out we have very similar tastes in literary fiction! I love memoirs and this one seemed interesting. I was curious to see what kind of book she’d write (also: she strikes me as the type of celebrity who could believably write their own book rather than have it ghostwritten).
What I thought: This is a sad and illuminating memoir. In a relatively short period of time, Linda went from securing million-dollar donations for large foundations to being unable to speak and needing full-time care. Self-conscious at first, the family finally (and with Linda’s consent) decided to be honest with people about what was happening. Williams-Paisley is blunt about her anger and grief over seeing her mother’s decline, though she’s also honest about how she’s somewhat removed from the situation, living out of state with her own family. Much of the day-to-day caregiving fell to her father, who took on the role to the point of burnout in order to keep Linda at home — rather than an assisted living facility — for as long as possible. The book ends with the family in kind of a weird limbo: Linda’s dementia is progressive, but she’s also gone past all of the markers for life-expectancy with this disease. It’s uncharted territory for them.
Red Clocks by Leni Zumas
Publisher/Year: Little, Brown and Company, 2018
Source: Personal copy
What it is: Told from five different perspectives in two different timelines, the book is a modern-day dystopia in which abortion and IVF treatments have been outlawed in the United States and a personhood amendment has been passed, granting more rights to embryos than the people carrying them. Single would-be parents hoping to adopt are also out of luck, as only married couples are now allowed to apply.
Why I read it: Reproductive rights + feminist dystopia = my name written all over it. I also loooooove the cover.
What I thought: I’ve seen a lot of references to The Handmaid’s Tale regarding this book, but though it has similar themes regarding reproductive rights, it’s not quite an accurate comparison. The concept of this book is, in many ways, more terrifying because it’s the current political climate taken to its natural conclusion (ex: some states really do keep trying to pass personhood amendments). But while I wanted to love the book, I’m really sad to say that I did not. I’ve read countless books with rotating narrators and shifting chronologies, but the timelines and perspectives in this book were confusing. It took me about half the book to really figure out what was going on. Save for a handful of truly stellar sections, the story took too long to coalesce into something meaningful. I can appreciate the experimental structure, but I don’t think the payoff was worth the effort, especially in the first half.