Although they’re set in contemporary Argentina, many of the short stories in Mariana Enríquez’s Things We Lost in the Fire have an almost primal feel. A current of macabre superstition and urban legend threads the collection together, and nearly every story has some kind of undefinable darkness looming over its protagonists. The terror that transpired during Argentina’s relatively recent dictatorship — thousands were murdered in the 1970s and early 1980s — also haunts the pages. These are horror stories feel like they could be real.
Enríquez is very talented when it comes to creating atmospheric tension. Most of the stories take a surreal turn, but they all start out with recognizable contemporary scenarios: poverty, drug abuse, social inequality, childhood curiosity, obnoxious boyfriends. It isn’t until the reader is drawn into the relatable, reality-based settings that weird things start happening.