Tagged: Olivia Laing

Faves of 2016: Nonfiction

2016-nonfiction

I read a lot of really great nonfiction books in 2016! I actually think I had better luck with nonfiction than fiction. The first three listed are my top three favorites; everything is listed in alphabetical order.

When Breath Becomes Air by Paul Kalanithi (2016)

When Breath Becomes Air focuses on Kalinithi’s a career as a neurosurgeon, which was cut short by a rare and terminal form of lung cancer. The memoir — which he was still striving to complete at the time of his death — offers reflections on life and death. In doing so, he reflects on past interactions with patients who had been on the receiving end of bad news that came from him. It’s a gorgeous book.

The Lonely City: Adventures in the Art of Being Alone by Olivia Laing (2016)

Mixing memoir, biography, and art history, Olivia Laing explores the different meanings of loneliness in New York City through the lives of different artists who lived there. The essays offer beautiful, elegant explorations of human interactions (or the lack thereof).

So Sad Today by Melissa Broder (2016)

Steeped in dark humor, So Sad Today is a collection of autobiographical essays by Melissa Broder. She writes about her struggles with extreme anxiety low, self-esteem, and addiction, but she also throws in some off-the-wall essays about sex and relationships. There’s one essay in there revolving around sexting that had me going, “This woman is completely nuts. I love her.”

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The Lonely City: Adventures in the Art of Being Alone

Book cover: The Lonely City by Olivia LaingIn her mid-thirties, Olivia Laing moved from England to New York City for a relationship, only for the romance to fizzle out shortly after her arrival. Heartbroken and alone in a city of millions of people, she sunk into the realm of intense loneliness that most people try desperately to avoid. Drawing from these experiences, Laing examines the concept of loneliness by focusing on the lives of several artists who themselves were shaped by experiences of profound loneliness and otherness. The end result is a fascinating hodgepodge of memoir, biology, art history, art theory, psychology, and the occasional foray into technology ethics.

There’s a difference between lonely and alone, and some of the artists frequently walked that line. Some were visibly different from their peers while others were painfully shy for a number of reasons. Some had experienced sexual violence and/or suffered from mental illness. Some, like Andy Warhol — née, Andrej Warhola — struggled with multiple insecurities. Born to Slovakian immigrants in 1928, Warhol stuttered, was anxious, and later suffered from skin problems. It is no wonder, then, that he took comfort in being behind a camera and in control of everything.

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